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Home        Bathroom        Recessed Bathroom Lights

Recessed Bathroom Lights

Downlights are just perfect for use in bathrooms. The crisp white light from intense light sources is reflected in the highly polished surfaces and just makes the whole bathroom light and bright. If you are unsure whether to use low voltage or mains voltage lamps look at our guide at the bottom of the page.

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IP65 MR11 Bathroom Downlight
IP65 MR11 Bathroom Downlight
Polished Chrome Finish
Our Price £6.95 inc VAT
Energy Saving IP64 Bathroom Light
Energy Saving IP64 Bathroom Light
Part P Compliant - 40 Lumens per watt
From £32.20 inc VAT
90 Min IP65 Fire Rated Downlight
90 Min IP65 Fire Rated Downlight
Polished Chrome or White Bezel
From £10.35 inc VAT
Soda Glass Downlight
Soda Glass Downlight
12v and mains versions
From £44.52 inc VAT
Tiny Yet Bright LED showerlight
Tiny Yet Bright LED showerlight
From £45.00 inc VAT
Round Chunky Glass IP65 Shower Downlight- Saving you £2.50
Round Chunky Glass IP65 Shower Downlight
RRP £41.85
From £39.35 inc VAT
Hydro 12v Showerproof Downlight - Pyramid
Hydro 12v Showerproof Downlight - Pyramid
Our Price £37.60 inc VAT
Round Glass IP65 Shower Downlight
Round Glass IP65 Shower Downlight
Mains, 12v and energy saving versions
From £31.95 inc VAT
Two piece IP65 Bathroom Downlight
Two piece IP65 Bathroom Downlight
Available in Four Finishes
From £7.60 inc VAT
Shower Downlight - Mini-Piston
Shower Downlight - Mini-Piston
Our Price £15.99 inc VAT
Shower Downlight - Piston
Shower Downlight - Piston
Our Price £19.99 inc VAT
Adjustable Shower and Bath Downlight
Adjustable Shower and Bath Downlight
Our Price £19.99 inc VAT
Low Profile Showerproof Downlight
Low Profile Showerproof Downlight
Our Price £19.99 inc VAT
Stepped Shower Downlight
Stepped Shower Downlight
Our Price £19.99 inc VAT
Two Piece Bathroom Downlight
Two Piece Bathroom Downlight
Our Price £15.99 inc VAT
 
Currently low voltage lighting particularly the 52mm dichroic lamp is experiencing a recovery from the drop off in business caused by the emergence of its 240v counterpart (often called GU10 after its lampholder design).

The difference between the 12v dichroic lamp and the mains GU10 lamp are:

Heat
The dichroic lamp is so called because of the dichroic filter applied to the back of the glass. This filter allows 60% of the heat and part of the red part of the spectrum to pass through the filter.
The GU10 mains lamp normally has a polished silver reflector so all the heat and all the light goes forward. This can be a problem in low ceiling areas as the lighting heats the room and heat the head.

Beam angles
By changing the shape of the reflector, and moving the position of the filament beam angles from 60 to 600 are available with low voltage lamps. The GU10 filament is 20 times longer than the low voltage filament so the capsule is bigger in size and this means there are no options for beam angles with GU10 lamps they are all around 380.

Lamp life
In a halogen lamp tungsten evaporates from the filament and becomes airborne. In a traditional mains lamp this appears as a blackening in the lamp. With halogen lamps (both mains and low voltage) this is collected by the halogen gas and deposited back on the filament. However with a mains lamp the filament is 20 times longer and often double wound so the tungsten can be deposited in a random fashion whereas the tungsten is deposited back onto the smaller filament more evenly. This means longer lamp life.

Colour
Closely related to the above lamp life is lamp colour. To make a tungsten filament burn with a brighter white the capsule is pressurised. This pressure is often lower in GU10 lamps to reduce the amount of tungsten that vaporizes from the filament. Some manufacturers also make the filament slighting longer to keep the temperature down which results in a warmer light closer to traditional incandescent.

Supply
Not really a feature of the lamp but this is a relevant section to highlight one major drawback with the GU10, PAR, and other mains tungsten lamps. Large mains filaments squashed into small lamps have a tendency to short circuit when the “blows”. In homes with modern wiring this often leads to the MCB being tripped. In older homes this often blows a fuse at the fuse board. This is more of an issue if the home is plunged into darkness and you cannot find the fuseboard.

Low voltage lamps are not wired directly to the mains. When a low voltage lamp fails it is extremely rare for the MCB or fused to blow as the lamp is supplied by the secondary feed from a transformer.

The history of low voltage lighting
Low voltage lighting started its life in the automotive industry out of necessity. Candles and carriage lamps were no longer practical as technology advanced and a new source of light was required to illuminate the path of the horseless carriage. As vehicles use DC batteries and an alternator to provide electricity to the assorted circuits the lighting would need to operate on a supply voltage between 9 and 13.5 Volts.
But being forced down the route of low voltage lighting had some merits in particular the length of the filament. Put simply the filament (the coiled wire within the lamp) in a 240v lamp is 20 times longer than a 12v filament providing the same wattage. This means low volt lamps can be smaller than mains lamps and provide the opportunity to have greater control of the light through optics. So, through reflector design and the use of lenses, light can be directed in a particular direction, with a selected beam (or cone) of light to provide a specific type of light.
So having conquered the automotive industry the next large scale use of low voltage lamps was traffic lights. The lamp used was a 24v capsule lamp built into a highly polished aluminium reflector with a pressed glass lens to the front. The irony of this is that many people who do not understand lighting complain that low voltage lighting is unreliable – a view obviously not shared by the Ministry of Transport who continue to use low voltage lamps to this day.

With widespread use of the low voltage lamps in the automotive industry it wasn’t too long before lighting designers became very interested in low voltage lamps as a way of creating light with a very precise beam for use in galleries. Around this time also a number of furniture designers became interested in using the PAR (polished aluminium reflector) lamps that was used in inexpensive stage lighting (more rock and roll than south bank!) within light fittings. Achille and Pier Giacomo built one such light back in 1962 and it is still for sale today by Flos.